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Cools — To keep my work as true 3D I use two HD cameras of the same brand and model that have a genlock feature so I can synchronize the cameras.

I also use a slide mount because the cameras have to be positioned close together as possible. If your cameras are too large to get close, you can shoot using a mirror.

In addition, I use a monitor to view the two video streams. Oh, and a Lens Focusing Chart. The controller allows me to sync the two cameras for up to 20 minutes similar to genlock.

I link the two cameras up to a netbook computer which has stereoscopic viewing software on it. I watch the live video and the display with a set of VGA video glasses.

To keep all this portable and keep the cameras aligned, the solution was mounting the cameras onto a hand-held stabilizer. With everything connected to the netbook, I can put everything in a small camera bag on my shoulder.

To control the computer I use a tiny keyboard with a built-in trackball. If you do, start with two cameras of the same model that will allow you to mount them side-by-side without blocking access to the LANC ports.

Most important you need a controller that lets you power up the cameras at the same time. If you plan your set-up well, you can get good cost-to-performance.

To see what I mean, put your thumb right in front of your face and try to focus on it. Cools — Top of my list is syncing the cameras. Ideally you want to sync your cameras through genlock and timecode lock.

But, you can sync using a timecode slate. Next is an issue using complimentary color anaglyphs. With anaglyphs you use two-color glasses to see the 3D effect.

The problem is; a portion of the population is colorblind so quite a few people will be unable to view your video properly. That gets expensive.

It is difficult to fix the video in post if the rig moved during shooting. It causes the viewer discomfort. A window violation happens when the 3D subject unintentionally moves beyond the graphics on the screen.

You need to be concerned with how large a screen the video will be shown on. On an IMAX screen you can get away with large parallax errors.

For much smaller screens, keep your cameras aligned close together to avoid obvious parallax errors. When the run of the 3D version is done you can release a 2D version.

Houda — I did my videos for myself, but I wanted to make it easier for others interested in making 3D films. I went through a lot of trial and error before I found what works for me.

You must have patience because there are many technical issues to work out. I strongly believe the future of 3D video is very promising.

Cools — My advice is team up with someone already shooting in 3D or do a lot of reading! That and attend a stereoscopic workshop.

I would much rather see a 5-minute film by an Indie filmmaker shot in true stereoscopic 3D than a Hollywood movie converted from 2D to 3D!

Promote your 3D film by sending out cheap 3D glasses with your logo printed on them. Best of all, because you shot your film in 3D you can also distribute a 2D version.

Initially, I believed this wave of 3D was just another Hollywood gimmick and would fade like its predecessors.

Even recent segments from the , Star Wars Saga are slated to be re-released in 3D. So should you run out and start making 3D videos?

Good question. Whether you work as a professional or hobbyist, the technology is now accessible. However, as both Jeff Cools and Pavel Houda emphasized, there is a fair learning curve that can get expensive concerning time and money.

Yet with proper research and experience, there are no set rules to hold you back. Writer-producer-director H.

Wolfgang Porter is a former U. Navel Combat Cameraman who now produces independent film and published works. Explore this Article methods.

Tips and Warnings. Related Articles. Method 1 of Research softwares. To create a 3D video, you need two different videos layered on top of each other.

One video is tinted red and the other video is tinted cyan. Import your footage. Upload the video you are attempting to three -dimensionalize. All softwares have their own protocols for importing video.

Duplicate the footage. Not every software will allow you to duplicate footage. Make sure you are using a software that can handle two videos on top of each other.

Manage your layers and be sure you can go back and forth between videos easily. Tint your footage. Select one of your layers and adjust the color so that the color is red.

Then select the other layer and color it cyan. Adjust the opacity. Opacity is also referred to as transparency. This will create a blend of the colors.

Position the videos. Now you will need to adjust the position of the top video layer. This will create the classic 3D image that you see without wearing 3D glasses.

You can use your 3D glasses to help guide the positioning. The top layer does not need to be too heavily adjusted, but far enough so that there is a dizzying effect.

Method 2 of Gather your supplies. Get two identical cameras and make sure the lenses are inches apart. It helps to create a device that holds them both from the tripod screw spots on the bottom.

The cameras need to be setup so they are side by side, facing the same direction. The software will need to be able to manage two separate videos and adjust the colors.

Film your shots. You can film whatever you want in 3D with both cameras, but understand that 3D video should not be overused. The most typical use of 3D film is for action movies.

This is the best application because the action literally comes out of the screen into your world. For a serious drama that is dialogue based, consider 2D unless you're making an experimental video.

Upload your videos. Adjust the tint of the left video to be red. Make the right camera's video have a blue overlay. The result should be the same video in two colors around three inches apart.

Preview and export the video. You should see a the intended 3D effect. If not, you should try experimenting with the settings. You might need to switch the colors darker or lighter shades.

You might even change the distance of the lenses when filming. Method 3 of Research your options.

In the past several years, cameras made for the everyday user have become more advanced. Some of these cameras come with a 3D effect.

Usually these types of cameras use a digital effect. Other options are old school 3D cameras.

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Position the videos. Now you will need to adjust the position of the top video layer. This will create the classic 3D image that you see without wearing 3D glasses.

You can use your 3D glasses to help guide the positioning. The top layer does not need to be too heavily adjusted, but far enough so that there is a dizzying effect.

Method 2 of Gather your supplies. Get two identical cameras and make sure the lenses are inches apart. It helps to create a device that holds them both from the tripod screw spots on the bottom.

The cameras need to be setup so they are side by side, facing the same direction. The software will need to be able to manage two separate videos and adjust the colors.

Film your shots. You can film whatever you want in 3D with both cameras, but understand that 3D video should not be overused.

The most typical use of 3D film is for action movies. This is the best application because the action literally comes out of the screen into your world.

For a serious drama that is dialogue based, consider 2D unless you're making an experimental video. Upload your videos. Adjust the tint of the left video to be red.

Make the right camera's video have a blue overlay. The result should be the same video in two colors around three inches apart. Preview and export the video.

You should see a the intended 3D effect. If not, you should try experimenting with the settings. You might need to switch the colors darker or lighter shades.

You might even change the distance of the lenses when filming. Method 3 of Research your options.

In the past several years, cameras made for the everyday user have become more advanced. Some of these cameras come with a 3D effect.

Usually these types of cameras use a digital effect. Other options are old school 3D cameras. Even some of the old school designs with two lenses have become very accessible.

Shoot your footage. Depending on what type of camera you choose, you can begin shooting your footage following the right settings. To step into full degree 3D world, where it is possible to move freely and do everything you desire, there are few games and some video content with 3D VR support available so far.

So next step in entertainment technology could be VR world in hologram technology, where anything will be possible.

Users will be able to create world without limitation, the only limit will be your imagination. Virtual reality next big thing in field of entertainment technology, enjoy awesome 3D vr degree virtual world.

Bouth VR technology is similar, 3D full view, no cable, no tv or monitor is required. If you do, start with two cameras of the same model that will allow you to mount them side-by-side without blocking access to the LANC ports.

Most important you need a controller that lets you power up the cameras at the same time. If you plan your set-up well, you can get good cost-to-performance.

To see what I mean, put your thumb right in front of your face and try to focus on it. Cools — Top of my list is syncing the cameras. Ideally you want to sync your cameras through genlock and timecode lock.

But, you can sync using a timecode slate. Next is an issue using complimentary color anaglyphs. With anaglyphs you use two-color glasses to see the 3D effect.

The problem is; a portion of the population is colorblind so quite a few people will be unable to view your video properly.

That gets expensive. It is difficult to fix the video in post if the rig moved during shooting. It causes the viewer discomfort. A window violation happens when the 3D subject unintentionally moves beyond the graphics on the screen.

You need to be concerned with how large a screen the video will be shown on. On an IMAX screen you can get away with large parallax errors. For much smaller screens, keep your cameras aligned close together to avoid obvious parallax errors.

When the run of the 3D version is done you can release a 2D version. Houda — I did my videos for myself, but I wanted to make it easier for others interested in making 3D films.

I went through a lot of trial and error before I found what works for me. You must have patience because there are many technical issues to work out.

I strongly believe the future of 3D video is very promising. Cools — My advice is team up with someone already shooting in 3D or do a lot of reading!

That and attend a stereoscopic workshop. I would much rather see a 5-minute film by an Indie filmmaker shot in true stereoscopic 3D than a Hollywood movie converted from 2D to 3D!

Promote your 3D film by sending out cheap 3D glasses with your logo printed on them. Best of all, because you shot your film in 3D you can also distribute a 2D version.

Initially, I believed this wave of 3D was just another Hollywood gimmick and would fade like its predecessors.

Even recent segments from the , Star Wars Saga are slated to be re-released in 3D. So should you run out and start making 3D videos? Good question.

Whether you work as a professional or hobbyist, the technology is now accessible.

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